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Study for Comics Abstraction
(Based on and Unreleated to Martin Heidegger's "The Concept of Time")
[Detail of Paper n°4 # Thought as Position. Study for Comic Abstraction (Based on and Unrelated to Martin Heidegger’s “The Concept of Time”), 2012
If time finds its meaning in eternity, then it must be understood by starting from eternity. The starting point and direction of this exploration are thereby mapped out in advance: from eternity to time.
The primary gesture moved from the "generating impulse" in the creative act, is above all a feeling of being in close relation with the "time". The human existence is in an enigmatic relationship with the time. Not only the time as a sense of being, but the time as a sense of being as such: being is time and time is being. The fundamental principles of the measurement of the nature within a system of temporal space measurement. Time as a being, as a presence, in the relationship between the parts that are determined and that determine the sparks and ideas, motors of the search. This direct relationship between time and impulse, gesture and place of representation, time and representation are expressed with conceptual and surreal vision. The space takes form because it is the form that defines it, and the concepts need their representation to be developed. A world of similarities are born, contact between the parts and the route of the mind. |
Sutdy for Comic Abstraction_ Page 1 of 2
1 X (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012
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2 It was the time <in which the time was completed… > I (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012 |
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3 It was the time <in which the time was completed… > II (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012
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4 Thought as a position. (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012 |
5 Place I_ (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012
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6 Place II_ (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012 |
7 Theological jump. (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012
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8 Rain theater. (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012
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9 Philosophy and science move within the concept. (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012 |
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10 Time modulation. (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012
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11 Thought Idea. (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012 |
12 Nature (Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”) Charcoal and pencil on paper. 2012 |