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Study for Comics Abstraction 

(Based on and Unreleated to Martin Heidegger's "The Concept of Time")















 [Detail of Paper n°4 # Thought as Position. Study for Comic Abstraction (Based on and Unrelated to Martin Heidegger’s “The Concept of Time”), 2012

 

 

If time finds its meaning in eternity, then it must be understood by starting from eternity. The starting point and direction of this exploration are thereby mapped out in advance: from eternity to time.
(Opening line of Martin Heidegger’s book ”The Concept of Time”)

 

The primary gesture moved from the "generating impulse" in the creative act, is above all a feeling of being in close relation with the "time". The human existence is in an enigmatic relationship with the time. Not only the time as a sense of being, but the time as a sense of being as such: being is time and time is being.  The fundamental principles of the measurement of the nature within a system of temporal space measurement. Time as a being, as a presence, in the relationship between the parts that are determined and that determine the sparks and ideas, motors of the search. This direct relationship between time and impulse, gesture and place of representation, time and representation are expressed with conceptual and surreal vision. The space takes form because it is the form that defines it, and the concepts need their representation to be developed. A world of similarities are born, contact between the parts and the route of the mind.


 

Se il tempo trova il suo senso nell’eternità, allora esso va compreso muovendo da quest’ultima. Con ciò sono prefigurati il punto di partenza e la via da seguire nella presente indagine: dall’eternità al tempo.
(Frase di apertura del libro di Martin Heidegger ”il concetto del tempo”)

 

Il gesto primario mosso dall’ “impulso generatore” nell’atto creativo è prima di tutto un sentire in stretta relazione con il “tempo”. L'esistenza umana sta in un enigmatico rapporto con il tempo. Non solo il tempo come senso dell’esserci, ma il tempo come senso dell’essere in quanto tale: l’essere è il tempo e il tempo è l’essere. I principi fondamentali della misurazione della natura entro un sistema di misurazione spazio temporale. Tempo come esserci, come presenza, nel rapporto tra le parti che si determinano e che determinano la scintilla e l’idea, motori della ricerca. Questo rapporto diretto tra tempo e impulso, gesto e luogo della rappresentazione, tempo e rappresentazione si esprime con visione concettuale e surreale. Lo spazio prende forma perchè è la forma che lo definisce, ed i concetti hanno bisogno della loro rappresentazione per essere sviluppati. Nascono mondi di similitudini, contatti tra le parti ed i percorsi della mente. Il tempo e’ qualche cosa di più della sua misurazione come anche il gesto primario-rappresentativo (nella ricerca visuale) è qualcosa di più di un semplice segno descrittivo. Li si può assistere ad una dimensione surreale della rappresentazione.

 

 

 

Sutdy for Comic Abstraction_ Page 1 of 2

 

 

 

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X

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

 

 

 

 

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2

It was the time <in which the time was completed… > I

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012 

  

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3

It was the time <in which the time was completed… > II

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

  

 

 

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4

Thought as a position.

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

 

 

 

 

 

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5

Place I_

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

  

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6

Place II_

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

 

 

 

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7

Theological jump.

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

 

 

 

 

 

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8

Rain theater.

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 
 

 

 

 

 

 

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9

Philosophy and science move within the concept.

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

  

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10

Time modulation.

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

 

 

 

 

 

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11

Thought Idea.

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

 

 

 

 

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12

Nature

(Study for comic abstraction based on and unrelated to Martin Heidegger’s “The Concept of Time”)

Charcoal and pencil on paper. 2012

 

 

  

 

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